DEEP GUIDED MEDITATION(with astral travel)

"The Gift of The Lamb"

( September 12th, 1980 )

by

B. J. "Daysha" Gregory and Rich Strong

(with Geri Howard, transcriber)

The 24th and last session in the series provides a goal, in a way of speaking, that may serve as a guide for those who wish to explore and develop further with this method of expanding the consciousness. As with all the previous sessions, this one shows how two people working together can achieve much more than either one could alone. It illustrates the use of deep induction, dual-state condition, and the power of the purpose or aim in achieving an objective. Although the overall appearance may seem to be a typical psychotherapy session, it goes beyond and includes mystical elements also, at the ending.

This session takes us from the simplest forms of expanded psi awareness to the farthest. As an analogy, one might view it in terms of expanding the sphere of sensitivity surrounding the brain. One might think of sensing things within one's aura to a distance of several feet, as in hand-dowsing, then expanding to much greater distances as in long-range telepathy, remote viewing, and so on. A useful analogy might be to consider how a space rocket takes off and accelerates to higher and higher speeds and much greater distances. Such is the subjective feeling of allowing one's mind to expand in time and space. Then, looking at

it from another view, one might consider the emotional states and feelings as a kind of "space" and twist along the dimensions most likely to bring in positive beneficial knowledge by growing into the emotional states that are most conducive to tuning in to such knowledge.

In this session, the aim will be seen as simply that of seeking truth. The reader may note the use of the Freud/Huna philosophies of the "High Self" as a means of gaining a high state of purpose. The concept of the Overself or "Conglomerate or Unified Psyche/Mind" of all of Rich's personalities, is also used (in this case named Talis, which is an acronym for The AL1 IS) which presumably aids in reducing or eliminating any extraneous limitations by emphasizing primacy. In a manner of speaking, the session represents a "high point" or "peak experience". The value may be seen in reducing or eliminating any psychological conflict between strongly-held religious beliefs as to what was proper versus working with the psychical areas, so that the session may be viewed as a removal of any barriers to development through giving an "O.K." Although this was already done intellectually through Bible readings, they were considered to be my interpretations of others' interpretations, and not as credible as primary source. The main message, not very original, was a corroboration of the use of the psychical as a tool to achieve a higher purpose.

Note that the initial lack of purpose allowed only a random seeking and that the experiment gained considerably as a purpose was defined and a goal was set. This is considered to be crucial to the success of any seeking.

Although there are some aspects that may strike some readers as religious, the literature shows that this is not uncommon. The particulars of the religious aspects will, of course, vary from person to person, however, it seems that the classical underlying features are common across cultures and time. One might expect any person to continue seeking until he or she comes into contact with whatever philosophy of ultimate authority or ultimate power or ultimate love he or she believes in. A key feature is that such an entity would not be limited or bound by any other entity, whether it be formally religious or not, or any shade in between the extremes. One is mindful that there were some 58 names for "The Force" in a recent list, and this without regard to personalized entities, for those who prefer to avoid entities or personalities. So "each to his own" would apply. One might expect that the fairly common pattern of development or path would embody the same elements across times and peoples; however, we have not performed an in-depth study of each of the elements shown in the session, so any comments along those lines will be appreciated.

It should be noted that the seeker had some difficulty accepting the meaning of the experience and practically denied its occurrence for over a year, that is, he initially considered it to be a largely his own subconscious fabrication; however, when re-running the tape, and re-thinking the material in detail and in light of a theoretical construct, he then accepted it for what it appeared to be in its most simple interpretation. The reader may speculate on the various ideas, notions, emotions, feelings, and thoughts that the experience triggered, not the least of which was the "knowing" kind of holistic knowledge that embodies a general confidence based on a broad world-view rather than any specific detailed information. It goes without saying, and the reader may read between the lines, that the seeker found this to be a highly valuable experience.

The session is interesting in that the seeker, Rich, was unaware of specifics of the psychological work involving symbology in the Jungian manner when the sessions occurred; as an example, going into and through the "Eye" of the "High Self". Another example is the merging of the personalities to the point that information is not considered to be dependent upon an outside source that may not be trusted in all cases, but as a matter of familiarizing and becoming and taking personal responsibility for the use of information on a personal basis.

The reader may gain some particular insights from careful attention to the specifics of the words and thoughts used by the session guide, Daysha, while she is inducing the conducive state of mind while maintaining conscious thought processes. For this report, more of the induction process is included so the reader may gain a broader view of the overall process. While some may be reluctant to consider what appears to be "hypnotic trance" technique, we hasten to assure readers that it's not at all scarey and is really a simple matter of suggestion to assist in focussing the mind on the task.

The experiment conditions were the same as for those previously reported, with Rich lying on a couch in Daysha's study while she guided him.

As with the previous reports, the transcript uses the annotation of R* for Rich's voice, D* for Daysha's, and capital letters for channeled information, spoken or written.

D*: You are in a very, very deep state of consciousness. Your state of consciousness at this time is of such that you can communicate and become your Higher Self. You are now one with your Higher Self or your higher form of consciousness. Whether you be in your workshop, laboratory, or on a blanket under a tree-, it doesn't matter where you are, because you and your Higher Self, your higher form of intelligence, your super-conscious, you are all one at this time. You are one at this time with your Higher Self - the superconsiousness. Feel yourself becoming one, joining and melding with your higher consciousness, your Higher Self. And know, that at this point, in the uniting of yourself with your Higher Self, you are becoming and are the intelligence of which Talis is a part. When you have felt this transformation take place, let me know and begin to describe it. If, in a few moments, this has not taken place, or you wish to discontinue the experiment, also let me know that, and we will go on to other things...

Have you made a transformation or a connection to the Higher Self?

R*: Not yet, I'm still reaching out.

D*: Just let it happen, just feel it take place. It's not necessary to reach out--- just let it happen. Just feel yourself become one with your own Higher Self or universal self of which Talis is a part. Just feel yourself become one with the universal self, the Higher Self. Feel yourself become merged with the higher consciousness of your Higher Self and know that you have made this connection and are now merged, the lower self with the higher consciousness and that you are now the Higher Self.

Are you experiencing any changes at all as far as... is there anything for you to desribe as to what is going on?

R*: No, I'm just trying to relax as much as possible and... let it happen.

D*: Feel yourself relaxing even more, feel yourself going into an even deeper state. Are you able to sense yourself on this cloud yet?

R*: It comes and goes. Sometimes I'm drifting down, then I come back up a little, then I drift down... I'm all loose now.

D*: Speak clearly and strong and audibly.

R*: I'm all loose now.

D*: You're all loose now?

R*: Yes.

D*: Would you explain what this means?

R*: It's somewhat like the early stages of going out-of-body.

D*: What is your form of consciousness experiencing at this time, whether it be auditory, visual, or just a sense of feel, besides the "feeling loose"?

R*: Drifting - some impressions of vague patterns.

D*: Are any of the patterns clear enough at all to give a

description of them?

R*: There's an embossed tablecloth kind of pattern with scalloped effect... there's a brief image of a nude couple just standing there talking - just flashed in and out - sort of like a classical painting.

D*: Is there any symbolical meaning to any of this?

R*: I don't think so... just bits and pieces. The next image was, ah, it looks like just a... regular city landscape... with a fence and a field and some bushes and... ah, some beat-down grass and trash... As if different people were sending out thoughts and I'm just picking them up at random.

D*: Are there any thoughts that you're picking up that are clear enough to relate?

R*: I started to get a dark staircase kind of an effect. It was like going down underneath the building and I glanced in and caught a glimpse of a dark colored dirt floor and a light colored wall with an arch opening in it, as if it were adobe. It's a very light mustard color. It doesn't seem to mean anything yet.

D*: Do you see any people in connection with this?

R*: I was just calling out, "Is there anybody there?", and then a very vague, ill-defined figure drifted in and seems to be holding... a large shovel over its right shoulder.

D*: How is this figure dressed, can you tell?

R*: Just a nondescript kind of a robe, sort of dark brown.

D*: It's a robe type of garment?

R*: Yes, seems to be a crypt or catacomb kind of a thing.

D*: Is there any way for you to determine where this is?

R*: Now it switched, and now there's a partial image of... ah, it seems to be a balustrade or a bannister, very old with the, ah, well, it's sort of reddish brown... polished, yet sort of scratched and worn effect, as if it were marble or old wood.

D*: Where does this lead to?

R*: With the partial image of the new thing, it may be a railing of a ship, like a sailing ship. So far, there doesn't seem to be much of a pattern to it.

Then it seems as if there were some pink skin there, and then there were a lot of freckles, almost like transparent amber discs just scattered on the skin... and then the partial image of some rubber roller gears... just random patterns.

D*: There is no concrete meaning to any of this?

R*: I don't think so. Now there's a swimming pool, a modern kind, above ground, greenish-bluish, inflatable animal toy, blue with white polka dots.

...

D*: Allow your consciousness at this time to float backwards in time, to gently float backwards in time, just allow your consciousness at this stage, just gently and easily float back, back, easily and gently back through time, til you find a specific time and place, a specific time and place that has a very, very strong bearing on today's situation... until you find a time and place back in the past that has a very strong bearing on the situation of mankind today in 1980. Your consciousness is floating easily and gently, back, back, through time, through time and space, back into an earlier time, long ago... and when you find a time and place that has a strong bearing on this situation of mankind in the year 1980 A.D., then I would want you to stop there, review the situation, and give me a report on that situation at that time. Feel yourself flowing back into the past, the past of long ago, to a time and place that has a very strong bearing on the situation and problems of mankind in the year 1980 A.D..

Are you traveling back through time and space?

R*: Uh-huh

D*: Have you found the time that we are searching for yet?

R*: Not yet.

D*: You're easily going back, back...

R*: A wooden house, similar to a resort house, particularly the sharply-pitched roof... has a log cabin effect, with the logs being dark... Whatever was in there is being put into a bag...

D*: What was being put into the bag?

R*: I couldn't tell.

D*: You can check the bag and find out what's in it.

R*: Okay, this is a wrinkled brown grocery bag... and, at first, there seemed to be some things in it, but, they seem to lie on one side and if you look through it from the one side, it seems to be hollow and if you look through it from the side where the various articles are not, then you see through to the bottom of the bag, as if it were a gate to another world. So I'm going to try to drift through that gate.

I started trying, but I lost it, and, instead, there was a parade of little children going down the street led by a schoolmistress in a bright yellow dress and a huge yellow hat, and it seemed to be on a TV screen, and I seem to be standing above a man who is just sitting there in his easy chair watching TV, and he's sort of a chubby fella, bald. So, I have to push that aside.

As I push that aside, there is a floral covered box there now, a lid, at least. All I can see is a floral cover, as if it were the lid of a box and I guess those are fluffy pink lady's mules with white balls on them... cotton ball effect, cotton tail kind of a thing.

We seem to be back to random pattern thing again and I feel as if I need to exert and really strive to go to the other self and make a definite effort of will to raise my vibrations or something. Otherwise, it seems to be a matter that I'll just experience random visions.

D*: Do you wish to make that effort at this time?

R*: Well, I got a thing that said: ADVICE.

D*: You said what?

R*: It was just like a rock that had the word ADVICE printed on it.

D*: And what does that mean?

R*: I think you are supposed to give me some advice.

D*: Do you want to go deeper, to work your way towards the higher superconsciousness?

R*: YES, THAT'S THE GAME.

D*: When you are aware of sensing something, whether it be a thought, a verbal thing, or a visionary thing, you will then report what you are experiencing and receiving.

R*: Yes. The overall sensation is of fairly complete dissociation. I was generally attempting to move aside to allow an Overself to come in, but they seem to be reluctant to come in... I don't know why.

D*: It's not necessary or it to come in. You are automatically united and become one. You flow one through the other easily and without effort. You just meld together and flowtogether as easily as if you were two liquids mixing with each other. It's just a very easy, natural union.

R*: The scenes there were very vague with only colors..... it was sort of a carrot color with some browns... I should say tans. And then again some random inputs and this time it was a medicine chest.

D*: Is there something significant about the medicine chest that we should know?

R*: I sort of get: NO, JUST A VISION, but there is a tube there of something or other and that may be symbolic of something. I'm removing the cap on the tube... Well, it seems like toothpaste on my tongue.

D*: Is there any writing or printing or... identification on the outside of the tube?

R*: No

D*: Is this symbolically trying to tell you that this has to do with the healing of anybody or some type of healing?

R*: It's to loosen my tongue.

D*: To loosen your tongue?

R*: Yes

D*: In what way?

R*: Let it flow out.

D*: Do you mean in the state of consciousness you are now in?

R*: Yes. Down to the low side of my field of vision there is a partial image of a fiery colored sunset. Some dark brown clouds that just came in. A door- opening scene... a large wooden arched door. I'm going to try to open that and see where it leads. I'm not sure if this is going to hold, but there's a garden scene with somebody sitting there in a bright blue robe kind of thing that says:

YOU FINALLY GOT HERE.

And there is a bunch of bright flowers around. Although I can't make out everything clearly, just spots, he's looking and staring very intently at me, as if I'm to stare into his eye.

D*: Are the surroundings pleasant?

R*: Very. I stared into his eye and I'm now flying over snow-covered mountains and clouds.

D*: While you are flying over mountains and clouds, I'm going to turn the tape over...

...Are you still soaring over the mountains and through the clouds?

R*: There seems to be an eagle there.

D*: A what?

R*: There seems to be an eagle and I'm looking down on it flying, so I will sit on the eagle and hold onto the reins and see where it goes.

D*: Are you alone with this eagle or is there another being with you?

R*: I don't think he's with me, I think I'm... ah, in him. In other words, I went through his eyeball into him and that's where all the mountains were.

D*: Very good.

R*: Well now, we sort of swooped up and there was this ledge on the mountainside and on it this Ivan person, the guide we had come in before and he's dressed in sort of wine and black with like gaucho pants and this polished wood balalaika and... ah, I think I'll try sitting down and see if I can get a lesson from him and see if he's gonna be telling me anything.

D*: Okay

R*: Now, it's not Ivan, it switched into some kind of Spanish dancer who is clicking castanets, something like that.

Well, I seem to have dropped off the ledge and I'm falling and tumbling... random fragments again...

Well, I'm back in the garden again and he's sitting there again and he says:

YES, THEY ARE JUST FRAGMENTS

Now, this came in a couple of minutes ago, but I wanted to see if it would hold. At first, he said:

YOU MEAN YOU STILL DON'T KNOW ME?

...because, by the way, the way he's sitting there is like one of those religious paintings of Jesus, you know, but I can't quite get a picture of his face, it's like the right side of his face is like, ah, some kind of, ah, well, there's this eye like a videocamera. In other words, on the right side of his face, the eye, is, you know, like a visionary kind of thing, but it's some kind of camera or glass thing.

D*: Do you know who this is yet?

R*: Well, when the scene first came up, I got part of his name as ....HER..., but then I couldn't get the rest of it, but it was like the middle of the name, and I'm asking, "Are you looking at me through a loupe' or something?", like that, and it's like the, ah, right side of his head just sort of fades away and disappears...

D*: Is this being an aspect of you?

R*: I don't think so, 'cause I got a little piqued and asked,

"Well who are you?!", and he just roared back and started laughing.

It's a very strange overall effect, because, if I shift around my positions, I go into different worlds and I have to watch going over to that side of him, because it turns into a desert scene, so I have to come over back on the garden side of him, because it's like, depending on which angle you look at him, you get a different picture, or a different place, and the segments kept getting smaller and smaller, til there's no more of him... I lost it. It's just smokey... brownish smoke now.

D*: Was this being of the light, of God?

R*: Well, he seemed pleasant, handsome.

D*: He could be all that and not be of God.

R*: I didn't ask. I was sort of embarassed to, because he looked like Jesus, and you don't ask Jesus if he is of God.

D*: You could have asked if he was Jesus.

R*: He says:

I AM HE WHO WAS CALLED JESUS.

That got me back in somehow.

D*: Is this Being back again, now?

R*: Well, I got back in when you said that, like it opened up again.

D*: Is there a special message from this Being that is known as Jesus?

R*: Well, he says:

WELL, DO YOU LOVE ME?

Oh, I see what it was, He was holding a sheep on His right shoulder, a lamb or something... and he gives it to me and says:

TAKE CARE OF MY LAMB

Now, what am I supposed to do with the lamb? Now, the lamb is changing. It's like the lamb opened and it was very much like a bird's-eye view of a whole civilization, or a city or country or something like...

YOU ASKED HOW?

KNOW THEM AND LOVE THEM.

I WILL HELP YOU TO HEAL THEM AND GIVE THEM PEACE

Now, it's just... the words going on, the rest of the scene is faded, except he is turning into light, like his hair keeps getting grayer and lighter

D*: Has He delivered His message now and departed?

R*: It says:

THAT'S ALL FOR NOW